03 Jun Intersections: World Arts, Local Lives
Intersections: World Arts, Local Lives
THE MUSEUM IS TEMPORARILY CLOSED
Intersections: World Arts, Local Lives explores how arts from cultures in Africa, Asia, the Pacific, and the Americas conceptually intersect with each other.
Most of this gallery is currently closed as we update the existing installation and contend with the lasting impact of violent colonial histories on museum collecting, interpretation, and display. While we undertake this work, we invite you to experience a portion of Intersections: Art and Transformation, which explores how objects intervene in the lives of those who make or use them—whether to heal through meditation and prayer; help with transition to the afterlife; or communicate social, political, and cultural changes.
Additional segments of Intersections will reopen in Spring 2022. Please check this page for complete details.
Should you have questions regarding Intersections, please email firstname.lastname@example.org.
Curriculum Resource Guide
This curriculum resource unit is conceived as a paradigm for approaching world arts and cultures in K-12 classrooms. In keeping with the conceptual framework of Intersections, this study presents a curricular approach based on how art works for individuals rather than one based on geography or historical chronology.
Thematic units follow the interpretive framework of the exhibition, therefore, and are presented within the rubric of Art and Action, Art and Knowledge, Art and Power, and Art and Transformation. Each unit begins with a Unit Overview and teachers are advised to begin their respective unit or lesson with this more general introduction.
Lessons encourage active learning, analytical thinking, cross-disciplinary and crosscultural comparisons, and visual and cultural literacy. The teaching suggestions introduce these methodologies, and lessons explore selected individual objects with broader humanities comparisons.
Intersections: World Arts, Local Lives is made possible by lead gifts from the National Endowment for the Humanities, The Getty Foundation, The Ahmanson Foundation, and Barbara and Joseph Goldenberg. Major support was provided by Patricia B. Altman and the Ralph M. Parsons Foundation; Margit and Lloyd Cotsen, Jay and Deborah Last, the National Endowment for the Arts, Shirley and Ralph Shapiro, the W.L.S. Spencer Foundation, the Patricia and Richard Anawalt Family, and Shani and Milady, daughters of William T. Perry, Esq. Additional support was provided by the Aaroe Associates Charitable Foundation, Anonymous, the Ethnic Arts Council of Los Angeles, Jill and Barry Kitnick, Jim and Jeanne Pieper, the Ceil and Michael Pulitzer Foundation, and Edwin and Cherie Silver. (Only gifts of $10,000 and above are listed here.) Media sponsorship provided by Venice Magazine and KCRW.